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	<title>Pennello Lane &#187; feature</title>
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	<description>Creative Canadian Women</description>
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		<title>From the Fringe: Never Let the Crew See You Cry</title>
		<link>http://gdmig-pennellolane.com/from-the-fringe-never-let-the-crew-see-you-cry/</link>
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		<pubDate>Wed, 14 Aug 2013 14:00:32 +0000</pubDate>
		<dc:creator><![CDATA[Kate]]></dc:creator>
				<category><![CDATA[theatre]]></category>
		<category><![CDATA[alberta]]></category>
		<category><![CDATA[feature]]></category>
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		<description><![CDATA[One of the plays featured at this year&#8217;s Edmonton International Fringe Festival is a new work by Linda Wood Edwards, Never Let the Crew See You Cry. The play focuses on the adventures of Linda&#8217;s mother, Ethel Wood, who lied about her age to get a job as a Flight Line Mechanic in 1943 in [&#8230;]]]></description>
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		<title>How Tin Can Knits can help you learn to knit&#8230; free!</title>
		<link>http://gdmig-pennellolane.com/how-tin-can-knits-can-help-you-learn-to-knit-free/</link>
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		<pubDate>Fri, 05 Jul 2013 23:06:28 +0000</pubDate>
		<dc:creator><![CDATA[Kate]]></dc:creator>
				<category><![CDATA[design]]></category>
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		<description><![CDATA[Meet Emily Wessel and Alexa Ludeman&#8230; the talented design team behind Tin Can Knits! The two British Columbia natives are now based 7,000 km apart – Alexa in Vancouver and Emily in Edinburgh, Scotland. They have produced several books of patterns, often inspired by and named for the beauty of Emily and Alexa’s respective surroundings. [&#8230;]]]></description>
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		<title>In the Studio with Samantha Dickie</title>
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		<pubDate>Mon, 03 Jun 2013 15:00:47 +0000</pubDate>
		<dc:creator><![CDATA[Kate]]></dc:creator>
				<category><![CDATA[ceramics]]></category>
		<category><![CDATA[studio tour]]></category>
		<category><![CDATA[british columbia]]></category>
		<category><![CDATA[feature]]></category>
		<category><![CDATA[sculpture]]></category>

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		<description><![CDATA[Ceramics sculptor Samantha Dickie creates organic, abstract shapes with rustic, sometimes industrial textures. The surfaces reflect her love for the raw material; the tactility, roughness and rawness of clay. Working in multiples and focusing on installation pieces, she enjoys the dialogue between art and the space it occupies, and the way groups of objects take [&#8230;]]]></description>
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